Espen Aarseth, University of Bergen (Norway)
"The Future(s) of Narrative"
Annie Abrahams (France)
"being human"
The Amazing Lizardos, Cecelia Kane & Mitch Lindsey (USA)
"The Closet"
"The Thinking Place"
Mark Amerika & Nile Southern (USA)
"Grammatron 2.0 (excerpt)"
Robert Arellano, Brown University (USA)
"Sunshine '69"
Sandra Argroves & Clay Morton, University of Georgia (USA)
"Hypertext Heavy: The Female and/and/and Male Voice"
Phillip Baldwin, State University of New York, Stony Brook (USA)
"Scenography of Doom: Modernist Dystopia in Theater, Cinema, and New Media"
Joey Bargsten (USA)
"Bad Mind Time"
Joshua Berman & Amy S. Bruckman, Georgia Institute of Technology (USA)
"The Turing Game: An Exploration of Cultural Identity in Online Environments"
David Blair (USA)
"Wax, Or the Discovery of Television Among the Bees"
Joline Blais, New York University (USA)
"Fair e-Tales"
Jay David Bolter, Georgia Institute of Technology (USA)
"The Future(s) of Narrative"
Sara Brinch, Norwegian University of Science and Technology (Norway)
"Web Cam Documentaries as Cybertexts"
Neil Cadsawan, Georgia Institute of Technology (USA)
"Living a Digital Life in an Analog Body"
John Cayley (UK)
"Literary Programming (In the Age of Digital Transliteration)"
Jessica Chalmers, University of Notre Dame (USA)
"From Participation to Interactivity: The Audience in Contemporary Theater and Internet Performance"
Robert Coover & Robert Arellano, Brown University (USA)
"Literary Hypertext: The Passing of the Golden Age"
Roderick Luis Coover, School of the Art Institute of Chicago (USA)
"Visualizing Cultures in the Age of Digital Media"
Octavia Davis & Bill Marsh, National University (USA)
Johanna Drucker, University of Virginia (USA)
"Form and/as Information"
Elliott Peter Earls (USA)
"Eye Sling Shot Lions"
Charity Ellis & Paul Jorgensen, One People (USA)
"One People"
"'One People' WWW Site"
Markku Eskelinen, Provosoft (Finland)
"Cybertext Narratology"
Susan Farrell (USA)
"Art Crimes"
Mary Flanagan, State University of New York, Buffalo (USA)
"Corporate Ladder"
"v i r a l p o e t i c s"
Florida Research Ensemble, University of Florida (USA)
"Miami/Miautre: A Choragraphy of the Miami River, Florida"
John Fouts & Abla Hamilton, Georgia Institute of Technology (USA)
"Visual/Auditory Test Diagram"
Regina Frank (Germany)
"The Artist is Present"
Gonzalo Frasca, Jacaranda Multimedia (Uruguay)
"Ergodic Characters"
Yury Gitman, Georgia Institute of Technology (USA)
"The Early Cinema Age Mediated in the Early Digital Age"
Loss Pequeño Glazier, Electronic Poetry Center, State University of New York, Buffalo (USA)
"The (Im)Material Lightness of E-PoeText: A Topology of Innovative Practice in Electronic Poetries"
"White-faced Bromeliads on 20 Hectares"
Diane Gromala, University of Washington (USA)
"Dancing with the Virtual Dervish;" "Eating Eye"
Carolyn Guertin, University of Alberta (Canada)
"Three-Dimensional Dementia: Hypertext Fiction and the Aesthetics of Forgetting"
Abla Hamilton, Georgia Institute of Technology (USA)
"Duchamp Digital: Virtual Exploration of the Readymade"
N. Katherine Hayles, University of California, Los Angeles (USA)
"Print Is Flat, Code Is Deep: Rethinking Signification in New Media"
Kurt Heintz, e-poets (USA)
"New Media on a Poet's Budget: A Practicum"
Jessica Hodgins et al., Georgia Institute of Technology (USA)
"An Alien Occurrence"
"First Flight"
"Midnight Mischief"
Janet Holmes, Boise State University (USA)
"The trAce Experience: 'The Ballad of Sand and Harry Soot'"
Jan Rune Holmevik, University of Bergen (Norway) & Cynthia Haynes, University of Texas, Dallas (USA)
"XpoMOO: Ambient Thresholds, Random Art"
Jon Ippolito, Guggenheim Museum (USA)
"Remarks on Variable Media"
Katrien Jacobs, Emerson College (USA)
"Porn Encounters in Small and Other Spaces"
Aki Järvinen, University of Tampere (Finland)
"Questions of Game Archeologies"
Adriene Jenik, University of California, San Diego (USA)
"Santaman's Harvest"
Michael Joyce, Vassar College (USA)
"Present, tense, ordinary, fiction comma dot calm"
Ikuko Kawasaki & Daniel McQuillen, Georgia Institute of Technology (USA)
Michael Klien, Barriedale Operahouse, London (UK)
"Solo One"
Chang-min Ko, Atlanta College of Art (USA)
"Dae Han Min Kook"
Maja Kuzmanovic, Center for Mathematics & Computer Science (The Netherlands)
"Immersive Storytelling: Hypermedia and VR"
Thomas Lavazzi, Savannah State University (USA)
"Contents: One 'Other,' Instructions Included"
Tu Le, Atlanta College of Art (USA)
"Digital Aurelius"
Patrick Ledwell, Georgia Institute of Technology (USA)
"Surveillance Outtakes"
Blake Leland, Georgia Institute of Technology (USA)
"ARS PSYCHOTICA: Visionary Im/possibilities in the Age of Digital Production"
Jennifer Ley (USA)
"The Body Politic"
Jane Love, University of Florida (USA) & Victor J. Vitanza, University of Texas, Arlington (USA)
"ultra/sounding ambience: WOOmb hysteria"
Frankie Loscavio, Atlanta College of Art (USA)
Marjorie C. Luesebrink, Irvine Valley College (USA)
"The trAce Experience: Collaborative Aspects of Fibonacci's
David Mallon, Georgia Institute of Technology (USA)
Lev Manovich, University of California, San Diego (USA)
"Freud-Lissitzky Navigator"
Jenny Marketou (USA)
Adrian Miles, Royal Melbourne Institute of Technology University (Australia)
"Intervals and Links: The Indeterminancy of a Link's Possible Future"
Nick Montfort (USA)
"The Help File"
"Winchester's Nightmare"
Michael Mosley, Georgia Institute of Technology (USA)
"Little Cosmonaut"
Janet Murray, Georgia Institute of Technology (USA)
"The Future(s) of Narrative"
Alok Nandi, Commediastra-Casterman (Belgium)
"Graphistoires & Ambiences"
Dave Naspinski & Celine Ulgado, Georgia Institute of Technology (USA)
Norie Neumark, University of Technolgy, Sydney (Australia)
"Shock in the Ear"
Performance Technology Research Laboratory (PTRL), Georgia Institute of Technology (USA)
Phobia Nova (USA)
"Spiritual Industrial Music"
Claudio Pinhanez, MIT Media Lab (USA)
"'It/I,' 'It,' and I: Translating a Computer Theater Play into an Interactive Art Installation"
Andrea Polli, Columbia College (USA)
"Active Vision Musical Instrument Interfaces Using Eye Tracking"
Nancy Reilly-McVittie, Manchester Metropolitan University (UK)
"'Let's Go Then.' (They Do Not Move) - The Waiting Mutates..."
Scott Rettberg, Dirk Stratton, & William Gillespie (USA)
"The Unknown"
Francisco J. Ricardo, Harvard University (USA)
"Toward a Critical Study of Interactive Culture"
Sergey de Rocambole & Daniil Kocharov, Dragon's Springs (Russia)
"Dragon's Springs: 'Atrium Alphabet and Atriumatics,' 'IP-Cartography,' 'Virtual Mobiles,' and Other Projects"
Martin Rosenberg, Kettering University (USA)
"Eduardo Kac and Telepresence Art: Toward a Theory of Distributed Aesthetic Cognition"
Tim Ryan, Royal Melbourne Institute of Technology University (Australia)
"SIV - Surfing Interactive Video"
Christy Sheffield Sanford, trAce (USA)
"The trAce Experience: Virtual Writer-in-Residence - Creating a New Profession"
Phoebe Sengers, German National Research Center for Information Technology (GMD) (Germany)
"The Influencing Machine: Semi-Autonomous Avatars and Affective Rendering"
Ana Serrano, MediaLinx h@bitat, Canadian Film Centre (Canada)
Deanna Sirlin (USA)
Elin Sjursen, University of Bergen (Norway)
Andrew Stern, PF.Magic/Mindscape (USA)
"Virtual Babyz"
Ellen Strain, Patrick Ledwell, & Greg VanHoosier-Carey, Georgia Institute of Technology (USA)
"Griffith in Context"
Sherry Strickland, Georgia Institute of Technology (USA)
"Fracas: Scrapbook"
Rob Swigart, Institute for the Future (USA)
"Down Time Interactive"
Sue Thomas, Nottingham Trent University (UK)
"The trAce Experience: Connecting Writers in Real and Virtual Space"
Noah Wardrip-Fruin, New York University (USA)
"Hypermedia, Eternal Life, and The Impermanence Agent"
Robert Wechsler & Helena Zwiauer, Palindrome Intermedia Performance Group (Nürnberg, Germany)
"Les Points Finaux"
Claudia Yi Leon, Georgia Institute of Technology (USA)
"Fred and Angel"
"Inside Blackwell Mansion"
Anthony Zias, West Virginia University (USA)
"The Computer Puzzle Game is Real! Examining the Structure of Popular Computer Puzzle Games Through Psychoanalytic Theory"